Bibliography for The Extraordinary in the Ordinary: The Aesthetics of Everyday
Life compiled with the assistance of Philip Elliot [working draft June 19, 2014]
Amis, Elizabeth. “Philosophers and Literary Critics.” In
“Hellenistic Aesthetics.” Encyclopedia of
Aesthetics. Edited by Michael Kelly. Vol. 2. New York: Oxford
University Press, 1998:
391.
Aristotle.
Nichomachean Ethics, Book II,
trans. Terence Irwin. Indianapolis:
Hackett Publishing Co, 1985.
___
Metaphysics,
trans. Hugh Tredennick (Cambridge: Harvard University Press, 1933).
____ The Poetics of Aristotle, trans. Preston H. Epps. Chapel Hill: The University of North
Carolina Press, 1970.
Aurelius,
Marcus. Meditations. Translated with notes by Martin Hammond. New
York: Penguin
Books, 2006.
Austin,
John. How To Do Things with Words,
edited J. O. Urmson. Oxford:
Clarendon, 1962.
Bahm,
Archie J. Review of Zen and Japanese Culture, by Daisetz T.Suzuki. The Journal of Aesthetics and
Art Criticism 19, no. 2 (1960): 238-239.
Bartlett, E. M.. Types
of Aesthetic Judgment. London:
George Allen & Unwin, 1937.
Baudrillard,
Jean. The Transparency of Evil. London:
Verso, 1993.
Beardsley,
Monroe. Aesthetics: Problems in the
Philosophy of Criticism. Indianapolis:
Hackett Publishing Co., Inc., 1981.
____ “In Defense of Aesthetic Value.” Proceedings and Addresses of the American
Philosophical Association 52 (1979):
723-49.
____
“Experience.” In Art and Philosophy: Readings in Aesthetics. Edited W. E. Kennick. New
York: St. Martin’s Press, 1979.
____ “The
Aesthetic Point of View.” In Contemporary
Philosophy of Art: Readings in Analytic Aesthetics, edited by John W.
Bender and H. Gene Blocker, H. Gene. Englewood
Cliffs, N.J.: Prentice Hall, 1993: 384-396.
Beigel,
Hugo G. “Sex and Human Beauty.” The
Journal of Aesthetics and Art Criticism, Special Issue on Symbolism and
Creative Imagination, 12, no. 1 (1953): 83-92.
Bell, Clive.
Art. New York: Capricorn Books, 1958. [orig.
1914]
Bell, Julien. What is Painting: Representation and Modern Art. New
York: Thames and Hudson,
1999.
Benjamin,
Walter. “The Work of Art in the Age of Mechanical Reproduction.” Translated by
Harold Zohn. In Illuminations. New York:
Schocken Books, 1968.
Jane
Bennett, The Enchantment of Modern Life: Attachments, Crossings, and Ethics.
Princeton, NJ.: Princeton
University Press, 2001.
Berleant,
Arnold. “The Sensuous and the Sensual in Aesthetics.” Journal of Aesthetics and Art Criticism 23, no. 2 (1964): 185-192.
____ Living in the Landscape: Towards an Aesthetics
of Environment. Lawrence,
Kansas: University of Kansas
Press, 1997.
____ The Aesthetics of Environment
(Philadelphia: Temple University Press, 1992).
Bois, Yve-Alain
and Rosalind Krauss, “User’s Guide to
Entropy,” October, 78 (Autumn, 1996): 38-88.
Boudreau,
John. “Vietnamese clients wax poetic
over ear picking,” San Jose Mercury News (January 27, 2011.) Reprinted
in the The Seattle Times. Accessed June 29, 2011, .http://seattletimes.nwsource.com/html/health/2014054475_ear28.html
Brady,
Emily. “Imagination and the Aesthetic Appreciation of Nature.” The Journal of Aesthetics and Art Criticism,
Special Issue: Environmental Aesthetics, 56, no. 2 (1998): 139-147.
Brand,
Peggy. “Disinterestedness & Political Art.” In Aesthetics: the Big Questions, edited by
Carolyn Korsmeyer (Oxford :
Blackwell, 1998): 155-170. Also found in N.Paradoxa 8 and 9 (November, 1998 and February 1999). Accessed Jul. 24, 2011, http://www.ktpress.co.uk/nparadoxaissue8and9.pdf.
Brottman,
Makita. “The Last Stop of Desire: The Aesthetics of the Shopping Center.” The Aesthetics of Human Environments, edited
by Arnold Berleant and Allen Carlson. Peterborough:
Broadview Press, 2007.
Brown, Lee
B. “‘Feeling My Way’: Jazz
Improvisation and Its Vicissitudes--A Plea for Imperfection,” The
Journal of Aesthetics and Art Criticism 58, no. 2, Improvisation in the
Arts (2000): 113-123.
Bullough,
Edward. “‘Psychical Distance’ as a Factor in Art and an Aesthetic Principle.” In
Aesthetics: A Critical Anthology edited
by George Dickie and R. J. Sclafani, R. J. New York:
St Martin’s Press: 758-782. [orig. 1912].
Burke,
Edmund. A Philosophical Enquiry into the
Origin of our Ideas of the Sublime and Beautiful. Oxford:
Oxford University Press, 1990.
Carlson,
Allen. “Environmental Aesthetics.” In Stanford
Encyclopedia of Philosophy, http://plato.stanford.edu/entries/environmental-aesthetics/ Accessed June 18, 2014.
____ Nature and Landscape (New
York: Columbia
University Press, 2009).
____
"On the Aesthetic Appreciation of Japanese Gardens.” British Journal of Aesthetics 37, no. 1 (1997): 47-56.
____
“Appreciation and the Natural Environment.” The
Journal of Aesthetics and Art Criticism 37, no. 3 (1979): 267-275.
____ “Environmental Aesthetics and the
Dilemma of Aesthetic Education.” The Journal of Aesthetic Education 10, no. 2
(1976): 69-82.
____
“Environmental Aesthetics.” In A
Companion to Aesthetics edited by David Cooper. Cambridge: Blackwell, 1995: 142-144.
Carroll,
Noël. “Art and the Domain of the Aesthetic.” British Journal of Aesthetics 40, no. 2 (2000): 191-208.
Chapman,
Emmanuel. “Beauty and the War.” The Journal of Aesthetics and Art Criticism
2, no. 6 (1942): 61-67.
Chari, V.
K. “Poetic Emotions and Poetic
Semantics.” The Journal of Aesthetics and Art Criticism 34, no. 3
(1976): 287-299.
Chaudhury, Pravas Jivan. “Keats and the Indian Ideal of Life and Poetry/”
The Journal of Aesthetics and Art Criticism Supplement to the
Oriental Issue: The Aesthetic Attitude in Indian Aesthetics 24, no. 1 (1965):
207-211.
Chisholm, Ann. “Acrobats, Contortionists, and Cute
Children: The Promise and Perversity of U.S. Women’s Gymnastics,” Signs
27, no. 2 (2002): 415-450.
Coleman, Elizabeth Burns. “Aesthetics as a
Cross-Cultural Concept.” In Before
Pangaea: New Essays in Transcultural Aesthetics, Special Issue edited by
Eugenio Benitez, The Journal of the
Sydney Society of Literature and Aesthetics 15, no. 1 (2005): 57-78.
Cottom,
Daniel/ “Taste and the Civilized Imagination.”
The Journal of Aesthetics and Art Criticism 39, no. 4 (1981): 367-380.
Crowley, John E. The Invention of Comfort: Sensibilities and Design in Early Modern Britain and Early America. Baltimore: The Johns Hopkins
University Press, 2003.
Danto,
Arthur. “Symbolic Expressions of the Self,” In Arthur Danto. Beyond the Brillo Box. New York: Farrar Straus Giroux, 1992: 56-57.
____
“The Artworld,” Journal of Philosophy
61, no. 19 (1964): 571-584.
Delza,
Sophia. “The Art of the Science of T’ai Chi Ch’uan.” The Journal of
Aesthetics and Art Criticism 25,
no. 4 (1967): 449-461.
Desjarlais,
Robert R. Body and Emotion: The Aesthetics
of Illness and Healing in the Nepal
Himalayas.
Philadelphia: University
of Pennsylvania Press,
1992.
Dickie, George. “Bullough and the Concept of Psychical Distance.” Philosophy
and Phenomenological Research 22, no. 2 (1961): 233-238.
____ Art and the Aesthetic. Ithaca:
Cornell University Press, 1974.
Dissanayake,
Ellen. Homo Aestheticus: Where Art
Comes From and Why. University
of Washington Press,
1995.
____ “In
the beginning: Pleistocene and Infant Aesthetics and Twenty-First Century
Education in the Arts.” International
Handbook of Research in Arts Education, edited Liora Bresler, Chapter 53,
Vol. 2 (2007): 783-798.
Dorter,
Kenneth. “The Ion: Plato’s Characterization of Art.” The Journal of Aesthetics and Art Criticism 32, no. 1 (1973): 65-
78.
Dowling,
Christopher. “The Aesthetics of Daily
Life.” British Journal of Aesthetics 50, no. 3 (2010): 226-42.
Eaton,
Marcia Muelder and Ronald Moore. “Aesthetic Experience: Its Revival and Its
Relevance to Aesthetic Education.” Journal
of Aesthetic Education 36, no. 2 (2002): 9-23.
Eaton,
Marcia Muelder. “The Intrinsic,
Non-Supervenient Nature of Aesthetic Properties.” The Journal of Aesthetics and Art Criticism 52, no. 4 (1994):
383-406.
____ Merit,
Aesthetic and Ethical. New York: Oxford
University Press, 2001.
Featherstone,
Mike. Consumer Culture and Postmodernism.
London: Sage
Publications, 1991.
Freud,
Sigmund. Three Contributions to the
Theory of Sex 1920. Accessed 6/18/2014. https://archive.org/stream/threecontributio14969gut/14969.txt
Fried,
Michael. “Art and Objecthood.” In Aesthetics:
A Critical Anthology Dickie, edited by George Dickie and R. J. Sclafani. New York: St. Martin’s
Press, 1977. [orig.1967.]
Gadamer,
Hans-Georg. Truth and Method. New York: The Continuum
Publishing Co., 1989.
Gilmour,
John C. “Improvisation in Cezanne’s
Late Landscapes.” The Journal of Aesthetics and Art Criticism
58, no. 2 (2000): 191-204.
Godlovitch,
Stan. “Evaluating Nature Aesthetically.” The
Journal of Aesthetics and Art Criticism 56:2 (1998) 113-25.
Goldblatt,
David. “The Dislocation of the Architectural Self.” The Journal of Aesthetics and Art Criticism 49, no. 4 (1991):
336-348.
Goodman,
Nelson. Languages of Art, 2nd
ed. Indianapolis:
Hackett Publishing Co., 1976.
Gracyk,
Ted. Listening to Popular Music: Or, How
I Learned to Stop Worrying and Love Led Zeppelin. Ann Arbor: University of Michigan
Press, 2007.
____ “A
Different Plea for Disinterest.” In Aesthetics:
A Reader in Philosophy of the Arts edited by David Goldblatt and Lee B. Brown.
New Jersey: Upper Saddle
River, 2005: 502-508.
Guyer,
Paul. “Baumgarten: Alexnder Gottlieb.” In Encyclopedia
of Aesthetics. Edited by Michael
Kelly. Vol. 1. New
York: Oxford University
Press, 1998: 227-8.
Haapala,
Arto. "On the Aesthetics of the Everyday: Familiarity, Strangeness, and
the Meaning of Place." In The
Aesthetics of Everyday Life, edited by Andrew Light and Smith. New York: Columbia
University Press, 2005:
39-55.
____
“Strangeness and Familiarity in the Urban Environment.” In The
City as Cultural Metaphor: Studies in Urban Aesthetics edited by Arto
Haapala. Lahti:
International Institute of Applied Aesthetics, 1998: 108-125.
Haidt, J. and F. Bjorklund. “Social
Intuitionists Answer Six Questions About Morality.” In Moral psychology, Vol. 2: The cognitive science of morality edited
by W. Sinnott-Armstrong. Cambridge,
MA: MIT Press, 2007: 181-217.
Hannah, Dehlia. “Naturalized Disaster: Seeking Sublimity in Everyday Life and at the
Extremes,” unpublished paper delivered at the Everyday Aesthetics – VIII
International Summer School of IIAA, June 15-18, 2008, Lahti,
Finland.
Hansson, Sven Ove. “Aesthetic
Functionalism,” Contemporary Aesthetics
3 (2005). Accessed March 19, 2011. http://www.contempaesthetics.org/newvolume/pages/article.php?articleID=324
Hartshorne,
Charles. Born to Sing: An Interpretation and World Survey of
Bird Song. Bloomington: Indiana
University Press, 1992.
Heidegger,
Martin. “The Origin of the Work of Art.” In Martin Heidegger, Poetry, Language, Thought, translated by A. Hofstadter. New York: Harper and
Row, 1971.
____ Being and Time trans. John Macquarrie
and Edward Robinson. Harper: 2008.
Henshall,
Kenneth G. Dimensions of Japanese
Society: Gender, Margins and Mainstream. Palgrave Macmillan, 1999.
Hepburn
Ronald. “Restoring the Sacred: Sacred as a Concept of Aesthetics.” Lahti Finland:
International Institute of Applied Aesthetics Series vol. 6, 1999: 166-185.
Hermerén,
Göran. “Qualities, Aesthetic.” Encyclopedia
of Aesthetics, edited by Michael Kelly, Vol. 4, New York: Oxford University Press, 1998:
97-99.
____
“The Variety of Aesthetic Qualities.” In Aesthetic
Quality and Aesthetic Experience, edited by Michael H. Mitias. Amsterdam: Rudolpi, 1988:
11-23.
____ The Nature of Aesthetic Qualities. Lund: Lund
University Press, 1988.
Holbrook,
Morris B. and Elizabeth C. Hirschman. “The Experiential Aspects of Consumption:
Consumer Fantasies, Feelings, and Fun.” The
Journal of Consumer Research 9, no. 2 (1982): 132-140.
Homlong, Siri. The Language of Textiles: Description and Judgement on Textile Pattern
Composition. Digital Comprehensive
Summaries of Uppsala
Dissertations from the Faculty of Social Sciences, 19. Upsala University,
2006. Accessed July, 17, 2007, http://74.125.155.132/search?q=cache:sjj23e1vgYgJ:www.diva-portal.org/diva/getDocument%3Furn_nbn_se_uu_diva-7216-1__fulltext.pdf+The+Language+of+Textiles:+Description+and+Judgement+on+Textile+Pattern+Composition&cd=6&hl=en&ct=clnk&gl=us
Hume,
David, “Of the Standard of Taste.” In Aesthetics:
A Critical Anthology, edited by George Dickie, Richard Sclafani, and Ronald
Roblin. New York: St.
Martin’s Press, 1989: 592-606.
Hume,
David. A Treatise of Human Nature. Oxford
University Press; 2nd edition (1978).
Husserl,
Edmund. Ideas Pertaining to a Pure Phenomenology and to a Phenomenological
Philosophy -- First Book: General Introduction to a Pure Phenomenology,
trans. F. Kersten, F. The Hague: Nijhoff, 1982.
Ingarden, Roman. “Phenomenological Aesthetics: An Attempt at Defining
Its Range.” The Journal of Aesthetics and
Art Criticism 33, no. 3 (1975): 257-269.
Irvin,
Sherri. “Aesthetics and the Private Realm,” The
Journal of Aesthetics and Art Criticism 67, no. 2 (2009): 226-230.
____
“Scratching an Itch,” The Journal of
Aesthetics and Art Criticism 66 no. 1 (2008): 23-35.
____
“The Pervasiveness of the Aesthetic in Ordinary Experience,” British Journal of Aesthetics 48, no. 1
(2008): 29-44.
Iseminger,
Gary. “The Aesthetic
State of Mind.” Contemporary Debates in Aesthetics and the
Philosophy of Art edited by Matthew Kieran. Malden, MA:
Blackwell Publishing, 2006: 98-110.
Jay, Martin.
“Drifting into Dangerous Waters.” In Aesthetic
Subjects edited by Pamela R. Matthews and David McWhirter. Minneapolis:
University of Minnesota Press, 2003: 3-27.
Jennings, Jan. “Cheap and Tasteful Dwellings in Popular Architecture.” Perspectives
in Vernacular Architecture, 5, Gender, Class, and Shelter (1995): 133-151.
Kant,
Immanuel. Critique of Pure Reason trans. N. Kemp Smith. London: Macmillan & Co. Ltd., 1929.
____ The
Critique of Judgment. Trans. James Meredith. Oxford: The Clarendon Press, 1928.
____ Lectures on Ethics. Trans. Louis Infield. New York:
Harper and Row, 1963.
Kaufman,
Daniel A. “Normative Criticism and the
Objective Value of Artworks.” The Journal of Aesthetics and Art
Criticism 60, no. 2 (2002): 151-166.
Kierkegaard, Søren. Fear and Trembling edited and translated
by Alastair Hannay. Hamondsworth, U.K: Penguin, 1985.
Kivy, Peter, Music Alone. Ithaca, New York: Cornell University Press, 1990.
Korsmeyer,
Carolyn. “Delightful, Delicious, Disgusting.” The Journal of Aesthetics and Art Criticism 60, no. 3 (2002): 217-
225.
____
“Food and the Taste of Meaning.” In Aesthetics and the Human Environment.
Justine von Bonsdorff and Arto Haapala, Halsinki: Taiteiden tutkimuksen
laitos, 1999: 90-105.
Kuehn,
Glenn. “How Can Food Be Art?” In The
Aesthetics of Everyday Life. Edited
by Andrew Light and Jonathan M. Smith. New York: Columbia University Press, 2005: 194-212.
Leddy,
Thomas. “The Aesthetics of Junk and Roadside Clutter,” Contemporary Aesthetics. http://www.contempaesthetics.org/newvolume/pages/journal.php 6 (May 17, 2008).
____ “A
Defense of Arts-Based Appreciation of Nature,” Environmental Ethics 27, no. 3 (2005): 299-315.
____ “The Nature of Everyday Aesthetics.” In The Aesthetics of Everyday Life. Edited by Andrew Light and Jonathan M.
Smith. New York: Columbia
University Press, 2005:
3-22.
____ “A
Pragmatist Theory of Artistic Creativity.” The
Journal of Value Inquiry 28, no. 2 (1994): 169-180.
____
“Metaphor and The Philosophy of Art: Dynamic Organicism.” Theoria et Historia Scientarium, An International Journal for
Interdisciplinary Studies: special issue Metaphor, edited by Tomasz Komendzinski 6
(2002/1): 43-64.
____ “Metaphor and Metaphysics.” Metaphor and Symbolic Activity (Special
Issue on Metaphor and Philosophy) 10, no. 3 (1995): 205-222.
_____“The
Socratic Quest in Art and Philosophy.” The
Journal of Aesthetics and Art Criticism 51, no. 3 (1993): 399-410.
Levinson,
Jerrold. “What is Aesthetic Pleasure?” The
Pleasures of Aesthetics. Ithaca: Cornell University Press, 1996.
Lloyd,
Carol. “Are California Bay Area Cities Abusing Eminent Domain as a
Redevelopment Tool?” The San Francisco
Chronicle (March 7, 2005). Reprinted in Knowledgplex,
accessed July 1, 2011, http://www.des.ucdavis.edu/faculty/handy/ESP171/KnowledgePlex%20Article%20Are%20California%20Bay%20Area%20Cities%20Abusing%20Eminent%20Domain%20as%20a%20Redevelopment%20Tool.htm
Lorand,
Ruth. “Beauty and Its Opposites.” The
Journal of Aesthetics and Art Criticism 52, no. 4 (1994): 399-406.
Lyotard,
Jean-Francois. The Postmodern Condition:
A Report on Knowledge, translated by Geoff Bennington and Brian Massumi. Minneapolis: University
of Minnesota Press, 1984.
Mandoki,
Katya. Everyday Aesthetics: Prosaics, the
Play of Culture and Social Identities. Burlington VT:
Ashgate, 2007.
Mann, Bonnie. Women’s Liberation and the Sublime: Feminism, Postmodernism,
Environment (Oxford University Press, 2006).
Marling,
Karal Ann. “Letter from Japan:
Kenbei vs. All-American Kawaii at Tokyo Disneyland.” American
Art 6, no. 2 (1992):102-111.
McLaughlin,
Brian and Karen Bennett. “Supervenience.” Stanford
Encyclopedia of Philosophy (2005). Accessed June 10, 2011. http://plato.stanford.edu/entries/supervenience/
Minor, Vernon Hyde. “What Kind of Tears? 9/11 and the Sublime.” Journal of American Studies of Turkey 14 (2001): 91-96. Accessed June 2, 2008. http://www.bilkent.edu.tr/~jast/Number14/Minor.htm http://www.contempaesthetics.org/newvolume/pages/article.php?articleID=510#FN11link .
Moore, Jared S. “The Sublime, and Other Subordinate Esthetic Concepts.” The
Journal of Philosophy 45, no. 2 (1948): 42-47.
Morreal,
John and Jessica Loy. “Kitsch and Aesthetic Education/” Journal of Aesthetic Education 2, no. 4 (1989): 65-73.
Morreal,
John. “Cuteness,” British Journal of Aesthetics 31, no. 1 (1991): 39-47.
____ “Humor and Aesthetic Education.” Journal
of Aesthetic Education 15, no. 1 (1981): 55-70.
Mullis,
Eric C. Review of Nature and Landscape
by Allen Carlson. The Journal of
Aesthetics and Art Criticism 69, no. 2 (2011): 238-240.
Nietzsche,
Friedrich. “The Birth of Tragedy.” In Basic
Writings of Nietzsche translated by Walter Kaufmann. New York: Modern Library, 2000.
____ “Genealogy
of Morals.” In Basic Writings of
Nietzsche, translated by Walter. New
York: Modern Library, 2000.
____ The Birth of Tragedy and The Case of Wagner
translated and edited by Walter. Kaufmann. New York: Vintage Books, 1967.
Novitz,
David. The Boundaries of Art. Philadelphia: Temple
University Press.
Okakura,
Kakuzo. The Book of Tea, edited by
Everett F. Bleiler. New York: Dover, 1964.
Overing,
Joanna and Alan Passes editors. The
Anthropology of Love and Anger: The
Aesthetics of Conviviality in Native Amazonia.
New York:
Routledge, 2000.
Parsons,
Michael J. “A Suggestion concerning the Development of Aesthetic Experience in
Children.” The Journal of Aesthetics and
Art Criticism 34, no. 3 (1976): 305-314.
Plato. The
Collected Dialogues of Plato. Edited by Edith Hamilton and Huntington
Cairns. New York: Bollingen
Foundation, 1961.
Pole, D.
L. “Varieties of Aesthetic Experience.” Philosophy 30, no. 114 (1955):
238-248.
Postrel, Virginia. The
Substance of Style: How the Rise of Aesthetic Value is Remaking Commerce,
Culture and Consciousness. New
York: HarperCollins Publishers, 2003.
Pratt,
Carroll C. “Abstract vs. Realistic Art.” The
Journal of Aesthetics and Art Criticism 33, no. 4 (1975): 403-405.
Proust, Marcel. Remembrance
of Things Past, translated by C.K. Moncrieff (London: Chatto & Windus, 1928).
Quacchia,
Russell. Julia Morgan, Architect and the
Creation of the Asilomar Conference Grounds. Q Publishing, 2005.
Renne,
Elisha P. and Dakyes S. Usman. “Bicycle Decoration and Everyday Aesthetics in Northern Nigeria.” African
Arts 32, no. 2 (1999): 46-51.
Rennie, Nicholas. Review of Lutz Koepnick’s Walter
Benjamin and the Aesthetics of Power in The German Quarterly
75, no. 2 (2002): 224-225.
Robinson,
Jenefer. “The Expression and Arousal of Emotion in Music.” The Journal of Aesthetics and Art Criticism 52, no. 1 (1994):
13-22, 13.
Rose, Barbara. Claes Oldenburg. New York: Museum
of Modern Art, 1970.
Ross,
Stephanie. “Gardens, Nature, Pleasure.” In The
Aesthetics of Human Environments ed. Arnold
Berleant and Carlson, Allen (Peterborough:
Broadview Press, 2007): 252-271.
Rostankowski, Cynthia. “The Aesthetics of Comfort in
Neil Gaiman’s Coraline.” paper given at a conference Metamorphic Spaces 2008 in Children’s Literature and
Culture, University of Jyväskylä, Finland, Jan. 17-19 2008. Abstract accessed June
23, 2010. https://www.jyu.fi/en/congress/metamorphoses2008/programme/abstracts/workshopabstracts
Rudrauf, Lucien. “Perfection.” The
Journal of Aesthetics and Art Criticism 23, no. 1 (1964): 123-130.
Rybczynski, Witold. Home: A Short History
of an Idea. New York; Viking, 1986.
Sacks, Oliver.
“A Summer of Madness.” The New York Review of Books
(Sept. 25, 2008): 57-61.
Saito, Yuriko. Everyday
Aesthetics. Oxford: Oxford
University Press, 2009.
____ “The
Moral Dimension of Japanese Aesthetics.” The
Journal of Aesthetics and Art Criticism 65, no. 1 (2007): 85-97.
____
“Everyday Aesthetics.” Philosophy and
Literature 25, no. 1 (2001): 87-95.
____ “Japanese Aesthetics of Packaging.” The
Journal of Aesthetics and Art Criticism 57, no. 2 (1999): 257-265.
____
“The Aesthetics of Unscenic Nature,” The
Journal of Aesthetics and Art Criticism 56, no. 2, Special Issue: Environmental Aesthetics (1998): 101-11.
____ “The Japanese Aesthetics of Imperfection and Insufficiency.”
The Journal of Aesthetics and Art Criticism 55, no. 4 (1997):
377-385.
____
“The Japanese Appreciation of Nature.” The
British Journal of Aesthetics 25, no. 1 (1985): 238-252.
Sallis,
John. Stone. Bloomington:
Indiana University Press, 1994.
Sartwell,
Crispin. Six Names of Beauty. New York: Routledge,
2004.
Scharfstein, Ben-Ami. Of Birds, Beasts, and Other Artists. New York:
New York University Press, 1988.
Schwartz,
Meredith and Coxon, Khadija. “Gender and the Everyday Aesthetics of Food.” No
date of publication. Accessed Jan. 18, 2010, http://thedepartmentofaesthetics.org/GenderandtheAestheticsofFood.pdf
Scruton, Roger.
“In Search of the Aesthetic.” British Journal of Aesthetics 47, no. 3
(2007): 232-50.
Searle,
John. “How to Derive ‘Ought’ From ‘Is’,” Philosophical
Review 73, no. 1 (1964): 43-58.
Sheringham,
Michael. Everyday Life: Theories and
Practices from Surrealism to the Present. Oxford:
Oxford University Press, 2006.
Shaw,
Philip. The Sublime. London: Routledge, 2006.
Shusterman, Richard. “Definition, Dramatization, and Rasa.” The
Journal of Aesthetics and Art Criticism 61, no. 3 (2003): 295-298.
____
“Interpretation, Pleasure and Value in Aesthetic Experience.” The Journal of
Aesthetics and Art Criticism 56, no. 1 (1998): 51-53.
____
“The Aesthetic Challenge of Popular Art.”
British Journal of Aesthetics
21, no. 2 (1991): 203-11.
Sibley, Frank N. “Aesthetic Concepts.” In Art and Philosophy: Readings in Aesthetics,
edited by W. E. Kennick. New York: St. Martin’s Press, 1979: 542-564. Originally, Philosophical Review 68 (1959):
421-450.
Sircello,
Guy. “How Is a Theory of the Sublime Possible?” The Journal of Aesthetics and Art Criticism 51, no. 4 (1993): 541-
550.
Smith, Jonathan M. and Andrew Light,
editors. The Aesthetics of Everyday Life.
New York: Columbia
University Press, 2005,
Snævarr, Stefán. “Talk
to Animals: A Short Comment on Wolfgang Welsch’s ‘Animal Aesthetics.’” Contemporary Aesthetics, 2 (2004). Accessed
Oct. 25, 2007, http://www.contempaesthetics.org/newvolume/pages/article.php?articleID=251
Solomon,
Robert C. “On Kitsch and Sentimentality.”
The Journal of Aesthetics and Art Criticism 49, no. 1 (1991):
1-14.
Sparshott, Francis. The Structure of Aesthetics. Toronto: University of Toronto Press,
1963): 72-75.
Stecker, Robert. Aesthetics
and the Philosophy of Art: An
Introduction. 2nd Edition. Lanham: Rowman and Littlefield, 2010.
Steiner,
Rudolph. Theosophy, 1910 Accessed
June 9, 2011, http://www.sacred-texts.com/eso/theo/theo17.htm.
Stolnitz,
Jerome/ “On the Origins of ‘Aesthetic Disinterestedness.’” The Journal of Aesthetics and Art Criticism 20, no. 2 (1961):
131-143.
____ Aesthetics
and Philosophy of Art Criticism: A Critical Introduction. Boston: Houghton Mifflin Company, 1960.
____ “The Artistic and the Aesthetic “in
Interesting Times.”” The Journal of Aesthetics and Art Criticism
37, no. 4 (1979): 401-413.
Suzuki,
Daisetz Teitaro. An Introduction to Zen
Buddhism, edited by Ch. Humphreys.
New
York: Grove Press, 1991.
Takei,
Jiro Sakuteiki
Visions of the Japanese Garden: A Modern Translation of Japan's Gardening
Classic, translated by Marc P. Keane. North Clarendon, VT:
Tuttle Publishing, 2001.
Trowbridge,
Adam. “Claes Oldenburg’s “The Ray Gun
Wing”.” http://collectingseminar.wordpress.com/2008/11/02/claes-oldenburgs-the-ray-gun-wing/ Accessed June 11, 2011.
Tsubaki, Andrew T. “Zeami and the Transition of the Concept of Yugen: A Note on Japanese
Aesthetics.” The Journal of Aesthetics and Art Criticism
30, no. 1 (1971): 55-67,
Tuan, Yi-Fu. Topophilia:A Study of Environmental Perception, Attitudes, and Values. New York: Columbia University
Press, 1974.
Walton,
Kendall. “Categories of Art.” Philosophical
Review 79 (1970): 334-367.
Waymack,
Eunice Hammer and Gordon Hendrickson. “Children’s Reactions as a Basis for
Teaching Picture Appreciation.” The
Elementary School Journal 33, no. 4 (1932): 268-276.
Welsch, Wolfgang. “Animal Aesthetics.” Contemporary Aesthetics. http://www.contempaesthetics.org/newvolume/pages/article.php?articleID=243
Weitz, Morris.
“The Role of Theory in Aesthetics,” The Journal of Aesthetics and Art
Criticism 15, no. 1 (1956): 27-35.
Weitzman,
Erica. “No Fun: Aporias of Pleasure in Adorno’s Aesthetic Theory,” German Quarterly 81, no. 2 (2008):
185-202.
Winner, Ellen. “How Can Chinese Children Draw so Well?” Journal of Aesthetic
Education 23, no. 1, Special Issue: Arts Education in China (Spring,
1989): 41-63.
Winterbourne,
A. T. “Is Oral and Olfactory Art Possible?”
Journal of Aesthetic Education 15, no. 2, Special Issue: INSEA
1981 - Art, Ideology, and Aesthetic Education (1981): 95-102.
Zangwill,
Nick. “Aesthetic Realism I,” in Oxford
Handbook of Aesthetics, edited by Jerrold Levinson. Oxford:
Oxford University Press, 2005.
____ The Metaphysics of Beauty. Ithaca: Cornell
University Press,
2001.
Ziff,
Paul. “Anything Viewed.” In Aesthetics,
edited by Susan L. Feagin and Patrick Maynard. Oxford: Oxford
University Press, 1997:
23-30.
No comments:
Post a Comment