Bibliography for The Extraordinary in the Ordinary: The Aesthetics of Everyday Life compiled from the footnotes by Philip Elliot, research assistant for Prof. Tom Leddy [working draft]


Bibliography for The Extraordinary in the Ordinary:  The Aesthetics of Everyday Life compiled with the assistance of Philip Elliot [working draft June 19, 2014]

Amis, Elizabeth.  “Philosophers and Literary Critics.” In “Hellenistic Aesthetics.” Encyclopedia of Aesthetics. Edited by Michael Kelly. Vol. 2.  New York:  Oxford University Press, 1998: 391.
Aristotle.  Nichomachean Ethics,  Book II, trans. Terence Irwin. Indianapolis: Hackett Publishing Co, 1985.
___   Metaphysics, trans. Hugh Tredennick (Cambridge: Harvard University Press, 1933).
____ The Poetics of Aristotle, trans. Preston H. Epps. Chapel Hill: The University of North Carolina Press, 1970.
Aurelius, Marcus.  Meditations. Translated with notes by Martin Hammond.  New York:  Penguin Books, 2006.
Austin, John. How To Do Things with Words, edited J. O. Urmson. Oxford: Clarendon, 1962.
Bahm, Archie J. Review of Zen and Japanese Culture, by Daisetz T.Suzuki. The Journal of Aesthetics and Art  Criticism 19, no. 2 (1960): 238-239.
Bartlett, E. M.. Types of Aesthetic Judgment. London: George Allen & Unwin, 1937.
Baudrillard, Jean. The Transparency of Evil. London: Verso, 1993.
Beardsley, Monroe. Aesthetics: Problems in the Philosophy of Criticism. Indianapolis: Hackett Publishing Co., Inc., 1981.
____ “In Defense of Aesthetic Value.” Proceedings and Addresses of the American Philosophical Association 52 (1979): 723-49.
____ “Experience.” In Art and Philosophy: Readings in Aesthetics.  Edited W. E. Kennick. New York: St. Martin’s Press, 1979.
____ “The Aesthetic Point of View.” In Contemporary Philosophy of Art: Readings in Analytic Aesthetics, edited by John W. Bender and H. Gene Blocker, H. Gene. Englewood Cliffs, N.J.: Prentice Hall, 1993: 384-396.
Beigel, Hugo G. “Sex and Human Beauty.” The Journal of Aesthetics and Art Criticism, Special Issue on Symbolism and Creative Imagination, 12, no. 1 (1953): 83-92.
Bell, Clive. Art. New York:  Capricorn Books, 1958. [orig. 1914]
Bell, Julien. What is Painting: Representation and Modern Art. New York: Thames and Hudson, 1999. 
Benjamin, Walter. “The Work of Art in the Age of Mechanical Reproduction.” Translated by Harold Zohn.  In Illuminations. New York: Schocken Books, 1968.
Jane Bennett, The Enchantment of Modern Life: Attachments, Crossings, and Ethics. Princeton, NJ.: Princeton University Press, 2001.
Berleant, Arnold. “The Sensuous and the Sensual in Aesthetics.” Journal of Aesthetics and Art Criticism 23, no. 2 (1964): 185-192.
____ Living in the Landscape: Towards an Aesthetics of Environment.  Lawrence, Kansas: University of Kansas Press, 1997.
____ The Aesthetics of Environment (Philadelphia: Temple University Press, 1992).
Bois, Yve-Alain and Rosalind Krauss, “User’s Guide to Entropy,” October, 78 (Autumn, 1996): 38-88.
Boudreau, John. “Vietnamese clients wax poetic over ear picking,” San Jose Mercury News (January 27, 2011.) Reprinted in the The Seattle Times.  Accessed June 29, 2011, .http://seattletimes.nwsource.com/html/health/2014054475_ear28.html 
Brady, Emily. “Imagination and the Aesthetic Appreciation of Nature.” The Journal of Aesthetics and Art Criticism, Special Issue: Environmental Aesthetics, 56, no. 2 (1998): 139-147.
Brand, Peggy. “Disinterestedness & Political Art.” In Aesthetics: the Big Questions, edited by Carolyn Korsmeyer (Oxford : Blackwell, 1998): 155-170. Also found in N.Paradoxa 8 and 9 (November, 1998 and February 1999).  Accessed Jul. 24, 2011, http://www.ktpress.co.uk/nparadoxaissue8and9.pdf.
Brottman, Makita. “The Last Stop of Desire: The Aesthetics of the Shopping Center.” The Aesthetics of Human Environments, edited by Arnold Berleant and Allen Carlson. Peterborough: Broadview Press, 2007.
Brown, Lee B. “‘Feeling My Way’: Jazz Improvisation and Its Vicissitudes--A Plea for Imperfection,” The Journal of Aesthetics and Art Criticism 58, no. 2, Improvisation in the Arts (2000): 113-123.
Bullough, Edward. “‘Psychical Distance’ as a Factor in Art and an Aesthetic Principle.” In Aesthetics: A Critical Anthology edited by George Dickie and R. J. Sclafani, R. J. New York: St Martin’s Press: 758-782. [orig. 1912].
Burke, Edmund. A Philosophical Enquiry into the Origin of our Ideas of the Sublime and Beautiful. Oxford: Oxford University Press, 1990. 
Carlson, Allen. “Environmental Aesthetics.” In Stanford Encyclopedia of Philosophy, http://plato.stanford.edu/entries/environmental-aesthetics/  Accessed June 18, 2014.
____ Nature and Landscape (New York: Columbia University Press, 2009).
____ "On the Aesthetic Appreciation of Japanese Gardens.British Journal of Aesthetics 37, no. 1 (1997): 47-56.
____ “Appreciation and the Natural Environment.” The Journal of Aesthetics and Art Criticism 37, no. 3 (1979): 267-275.
____ “Environmental Aesthetics and the Dilemma of Aesthetic Education.” The Journal of Aesthetic Education 10, no. 2 (1976): 69-82.
____ “Environmental Aesthetics.” In A Companion to Aesthetics edited by David Cooper. Cambridge: Blackwell, 1995: 142-144.
Carroll, Noël. “Art and the Domain of the Aesthetic.” British Journal of Aesthetics 40, no. 2 (2000): 191-208.
Chapman, Emmanuel. “Beauty and the War.” The Journal of Aesthetics and Art Criticism 2, no. 6 (1942): 61-67.
Chari, V. K. “Poetic Emotions and Poetic Semantics.” The Journal of Aesthetics and Art Criticism 34, no. 3 (1976): 287-299.
Chaudhury, Pravas Jivan. “Keats and the Indian Ideal of Life and Poetry/” The Journal of Aesthetics and Art Criticism Supplement to the Oriental Issue: The Aesthetic Attitude in Indian Aesthetics 24, no. 1 (1965): 207-211.
Chisholm, Ann. “Acrobats, Contortionists, and Cute Children: The Promise and Perversity of U.S. Women’s Gymnastics,” Signs 27, no. 2 (2002): 415-450.
Coleman, Elizabeth Burns. “Aesthetics as a Cross-Cultural Concept.” In Before Pangaea: New Essays in Transcultural Aesthetics, Special Issue edited by Eugenio Benitez, The Journal of the Sydney Society of Literature and Aesthetics 15, no. 1 (2005): 57-78.
Cottom, Daniel/ “Taste and the Civilized Imagination.The Journal of Aesthetics and Art Criticism 39, no. 4 (1981): 367-380.
Crowley, John E. The Invention of Comfort: Sensibilities and Design in Early Modern Britain and Early America.  Baltimore: The Johns Hopkins University Press, 2003.
Danto, Arthur. “Symbolic Expressions of the Self,” In Arthur Danto. Beyond the Brillo Box. New York: Farrar Straus Giroux, 1992: 56-57.
____ “The Artworld,” Journal of Philosophy 61, no. 19 (1964): 571-584.
Delza, Sophia. “The Art of the Science of T’ai Chi Ch’uan.” The Journal of Aesthetics and Art Criticism 25, no. 4 (1967): 449-461.
Desjarlais, Robert R.  Body and Emotion:  The Aesthetics of Illness and Healing in the Nepal Himalayas.  Philadelphia:  University of Pennsylvania Press, 1992.
Dickie, George. “Bullough and the Concept of Psychical Distance.” Philosophy and Phenomenological Research 22, no. 2 (1961): 233-238.
____ Art and the Aesthetic. Ithaca: Cornell University Press, 1974.
Dissanayake, Ellen.  Homo Aestheticus: Where Art Comes From and Why.  University of Washington Press, 1995.
____ “In the beginning: Pleistocene and Infant Aesthetics and Twenty-First Century Education in the Arts.” International Handbook of Research in Arts Education, edited Liora Bresler, Chapter 53, Vol. 2 (2007): 783-798.
Dorter, Kenneth. “The Ion: Plato’s Characterization of Art.” The Journal of Aesthetics and Art Criticism 32, no. 1 (1973): 65- 78.
Dowling, Christopher.  “The Aesthetics of Daily Life.” British Journal of Aesthetics 50, no. 3 (2010): 226-42.
Eaton, Marcia Muelder and Ronald Moore. “Aesthetic Experience: Its Revival and Its Relevance to Aesthetic Education.” Journal of Aesthetic Education 36, no. 2 (2002): 9-23.
Eaton, Marcia Muelder.  “The Intrinsic, Non-Supervenient Nature of Aesthetic Properties.” The Journal of Aesthetics and Art Criticism 52, no. 4 (1994): 383-406.
____ Merit, Aesthetic and Ethical. New York: Oxford University Press, 2001.
Featherstone, Mike. Consumer Culture and Postmodernism. London: Sage Publications, 1991.
Freud, Sigmund. Three Contributions to the Theory of Sex  1920.  Accessed 6/18/2014.  https://archive.org/stream/threecontributio14969gut/14969.txt
Fried, Michael. “Art and Objecthood.” In Aesthetics: A Critical Anthology Dickie, edited by George Dickie and R. J. Sclafani. New York: St. Martin’s Press, 1977. [orig.1967.]
Gadamer, Hans-Georg. Truth and Method. New York: The Continuum Publishing Co., 1989.
Gilmour, John C. Improvisation in Cezanne’s Late Landscapes. The Journal of Aesthetics and Art Criticism 58, no. 2 (2000): 191-204.
Godlovitch, Stan. “Evaluating Nature Aesthetically.” The Journal of Aesthetics and Art Criticism 56:2 (1998) 113-25.
Goldblatt, David. “The Dislocation of the Architectural Self.” The Journal of Aesthetics and Art Criticism 49, no. 4 (1991): 336-348.
Goodman, Nelson. Languages of Art, 2nd ed. Indianapolis: Hackett Publishing Co., 1976.
Gracyk, Ted. Listening to Popular Music: Or, How I Learned to Stop Worrying and Love Led Zeppelin. Ann Arbor: University of Michigan Press, 2007.  
____ “A Different Plea for Disinterest.” In Aesthetics: A Reader in Philosophy of the Arts edited by David Goldblatt and Lee B. Brown. New Jersey: Upper Saddle River, 2005: 502-508.
Guyer, Paul.  “Baumgarten:  Alexnder Gottlieb.”  In Encyclopedia of Aesthetics.  Edited by Michael Kelly. Vol. 1.  New York:  Oxford University Press, 1998:  227-8.
Haapala, Arto. "On the Aesthetics of the Everyday: Familiarity, Strangeness, and the Meaning of Place." In The Aesthetics of Everyday Life, edited by Andrew Light and  Smith. New York:  Columbia University Press, 2005: 39-55.
____ “Strangeness and Familiarity in the Urban Environment.”  In  The City as Cultural Metaphor: Studies in Urban Aesthetics edited by Arto Haapala. Lahti: International Institute of Applied Aesthetics, 1998: 108-125.
Haidt, J. and F. Bjorklund. “Social Intuitionists Answer Six Questions About Morality.” In Moral psychology, Vol. 2: The cognitive science of morality edited by W. Sinnott-Armstrong. Cambridge, MA: MIT Press, 2007: 181-217.
Hannah, Dehlia. “Naturalized Disaster: Seeking Sublimity in Everyday Life and at the Extremes,” unpublished paper delivered at the Everyday Aesthetics – VIII International Summer School of IIAA, June 15-18, 2008, Lahti, Finland.
Hansson, Sven Ove. “Aesthetic Functionalism,” Contemporary Aesthetics 3 (2005).  Accessed March 19, 2011.  http://www.contempaesthetics.org/newvolume/pages/article.php?articleID=324
Hartshorne, Charles. Born to Sing: An Interpretation and World Survey of Bird Song. Bloomington: Indiana University Press, 1992.
Heidegger, Martin. “The Origin of the Work of Art.” In Martin Heidegger, Poetry, Language, Thought, translated by A. Hofstadter. New York: Harper and Row, 1971.
____ Being and Time trans. John Macquarrie and Edward Robinson. Harper:  2008.
Henshall, Kenneth G. Dimensions of Japanese Society: Gender, Margins and Mainstream. Palgrave Macmillan, 1999.
Hepburn Ronald. “Restoring the Sacred: Sacred as a Concept of Aesthetics.” Lahti Finland: International Institute of Applied Aesthetics Series vol. 6, 1999: 166-185.
Hermerén, Göran. “Qualities, Aesthetic.” Encyclopedia of Aesthetics, edited by Michael Kelly, Vol. 4, New York: Oxford University Press, 1998: 97-99.
____ “The Variety of Aesthetic Qualities.” In Aesthetic Quality and Aesthetic Experience, edited by Michael H. Mitias. Amsterdam: Rudolpi, 1988: 11-23.
____ The Nature of Aesthetic Qualities. Lund: Lund University Press, 1988.
Holbrook, Morris B. and Elizabeth C. Hirschman. “The Experiential Aspects of Consumption: Consumer Fantasies, Feelings, and Fun.” The Journal of Consumer Research 9, no. 2 (1982): 132-140.
Homlong, Siri. The Language of Textiles: Description and Judgement on Textile Pattern Composition.  Digital Comprehensive Summaries of Uppsala Dissertations from the Faculty of Social Sciences, 19. Upsala University, 2006. Accessed July, 17, 2007, http://74.125.155.132/search?q=cache:sjj23e1vgYgJ:www.diva-portal.org/diva/getDocument%3Furn_nbn_se_uu_diva-7216-1__fulltext.pdf+The+Language+of+Textiles:+Description+and+Judgement+on+Textile+Pattern+Composition&cd=6&hl=en&ct=clnk&gl=us
Hume, David, “Of the Standard of Taste.” In Aesthetics: A Critical Anthology, edited by George Dickie, Richard Sclafani, and Ronald Roblin. New York: St. Martin’s Press, 1989: 592-606.
Hume, David. A Treatise of Human Nature. Oxford University Press; 2nd edition (1978).
Husserl, Edmund. Ideas Pertaining to a Pure Phenomenology and to a Phenomenological Philosophy -- First Book: General Introduction to a Pure Phenomenology, trans. F. Kersten, F. The Hague: Nijhoff, 1982.
Ingarden, Roman. “Phenomenological Aesthetics: An Attempt at Defining Its Range.” The Journal of Aesthetics and Art Criticism 33, no. 3 (1975): 257-269.
Irvin, Sherri. “Aesthetics and the Private Realm,” The Journal of Aesthetics and Art Criticism 67, no. 2 (2009): 226-230.
____ “Scratching an Itch,” The Journal of Aesthetics and Art Criticism 66 no. 1 (2008): 23-35.
____ “The Pervasiveness of the Aesthetic in Ordinary Experience,” British Journal of Aesthetics 48, no. 1 (2008): 29-44.
Iseminger, Gary. “The Aesthetic State of Mind.” Contemporary Debates in Aesthetics and the Philosophy of Art edited by Matthew Kieran. Malden, MA: Blackwell Publishing, 2006: 98-110.
Jay, Martin. “Drifting into Dangerous Waters.” In Aesthetic Subjects edited by Pamela R. Matthews and  David McWhirter. Minneapolis: University of Minnesota Press, 2003: 3-27.
Jennings, Jan. “Cheap and Tasteful Dwellings in Popular Architecture.” Perspectives in Vernacular Architecture, 5, Gender, Class, and Shelter (1995): 133-151.
Kant, Immanuel. Critique of Pure Reason  trans. N. Kemp Smith. London: Macmillan & Co. Ltd., 1929.
____  The Critique of Judgment. Trans. James Meredith. Oxford: The Clarendon Press, 1928.
____ Lectures on Ethics.  Trans. Louis Infield. New York:  Harper and Row, 1963.
Kaufman, Daniel A. “Normative Criticism and the Objective Value of Artworks.” The Journal of Aesthetics and Art Criticism 60, no. 2 (2002): 151-166.
Kierkegaard, Søren. Fear and Trembling edited and translated by Alastair Hannay. Hamondsworth, U.K: Penguin, 1985.
Kivy, Peter, Music Alone. Ithaca, New York: Cornell University Press, 1990.
Korsmeyer, Carolyn. “Delightful, Delicious, Disgusting.” The Journal of Aesthetics and Art Criticism 60, no. 3 (2002): 217- 225.
____ “Food and the Taste of Meaning.” In Aesthetics and the Human Environment. Justine von Bonsdorff and Arto Haapala, Halsinki: Taiteiden tutkimuksen laitos, 1999: 90-105.
Kuehn, Glenn.  “How Can Food Be Art?”  In The Aesthetics of Everyday Life.  Edited by Andrew Light and Jonathan M. Smith.  New York:  Columbia University Press, 2005: 194-212.
Leddy, Thomas. “The Aesthetics of Junk and Roadside Clutter,” Contemporary Aesthetics. http://www.contempaesthetics.org/newvolume/pages/journal.php 6 (May 17, 2008).  
____ “A Defense of Arts-Based Appreciation of Nature,” Environmental Ethics 27, no. 3 (2005): 299-315.
____  “The Nature of Everyday Aesthetics.” In The Aesthetics of Everyday Life.  Edited by Andrew Light and Jonathan M. Smith.  New York:  Columbia University Press, 2005: 3-22.
____ “A Pragmatist Theory of Artistic Creativity.” The Journal of Value Inquiry 28, no. 2 (1994): 169-180.
____ “Metaphor and The Philosophy of Art: Dynamic Organicism.” Theoria et Historia Scientarium, An International Journal for Interdisciplinary Studies: special issue Metaphor, edited by Tomasz Komendzinski 6 (2002/1): 43-64.
____  “Metaphor and Metaphysics.” Metaphor and Symbolic Activity (Special Issue on Metaphor and Philosophy) 10, no. 3 (1995): 205-222.
_____“The Socratic Quest in Art and Philosophy.” The Journal of Aesthetics and Art Criticism 51, no. 3 (1993): 399-410.
Levinson, Jerrold. “What is Aesthetic Pleasure?” The Pleasures of Aesthetics. Ithaca: Cornell University Press, 1996.
Lloyd, Carol. “Are California Bay Area Cities Abusing Eminent Domain as a Redevelopment Tool?” The San Francisco Chronicle (March 7, 2005). Reprinted in Knowledgplex, accessed July 1, 2011, http://www.des.ucdavis.edu/faculty/handy/ESP171/KnowledgePlex%20Article%20Are%20California%20Bay%20Area%20Cities%20Abusing%20Eminent%20Domain%20as%20a%20Redevelopment%20Tool.htm
Lorand, Ruth. “Beauty and Its Opposites.” The Journal of Aesthetics and Art Criticism 52, no. 4 (1994): 399-406.
Lyotard, Jean-Francois. The Postmodern Condition: A Report on Knowledge, translated by Geoff Bennington and Brian Massumi. Minneapolis: University of Minnesota Press, 1984.
Mandoki, Katya. Everyday Aesthetics: Prosaics, the Play of Culture and Social Identities. Burlington VT: Ashgate, 2007.
Mann, Bonnie. Women’s Liberation and the Sublime: Feminism, Postmodernism, Environment (Oxford University Press, 2006).
Marling, Karal Ann. “Letter from Japan: Kenbei vs. All-American Kawaii at Tokyo Disneyland.” American Art 6, no. 2 (1992):102-111.
McLaughlin, Brian and Karen Bennett. “Supervenience.” Stanford Encyclopedia of Philosophy (2005). Accessed June 10, 2011. http://plato.stanford.edu/entries/supervenience/ 
Minor, Vernon Hyde. What Kind of Tears? 9/11 and the Sublime.” Journal of American Studies of Turkey 14 (2001): 91-96.  Accessed June 2, 2008. http://www.bilkent.edu.tr/~jast/Number14/Minor.htm http://www.contempaesthetics.org/newvolume/pages/article.php?articleID=510#FN11link .
Moore, Jared S. “The Sublime, and Other Subordinate Esthetic Concepts.” The Journal of Philosophy 45, no. 2 (1948): 42-47.
Morreal, John and Jessica Loy. “Kitsch and Aesthetic Education/” Journal of Aesthetic Education 2, no. 4 (1989): 65-73.
Morreal, John. “Cuteness, British Journal of Aesthetics 31, no. 1 (1991): 39-47.
____ “Humor and Aesthetic Education.” Journal of Aesthetic Education 15, no. 1 (1981): 55-70.
Mullis, Eric C. Review of Nature and Landscape by Allen Carlson. The Journal of Aesthetics and Art Criticism 69, no. 2 (2011): 238-240.
Nietzsche, Friedrich. “The Birth of Tragedy.” In Basic Writings of Nietzsche translated by Walter Kaufmann. New York: Modern Library, 2000.
____ “Genealogy of Morals.” In Basic Writings of Nietzsche, translated by Walter. New York: Modern Library, 2000.
____ The Birth of Tragedy and The Case of Wagner translated and edited by Walter. Kaufmann. New York: Vintage Books, 1967.
Novitz, David. The Boundaries of Art. Philadelphia: Temple University Press.
Okakura, Kakuzo. The Book of Tea, edited by Everett F. Bleiler. New York: Dover, 1964.
Overing, Joanna and Alan Passes editors.  The Anthropology of Love and Anger:  The Aesthetics of Conviviality in Native Amazonia. New York: Routledge, 2000.
Parsons, Michael J. “A Suggestion concerning the Development of Aesthetic Experience in Children.” The Journal of Aesthetics and Art Criticism 34, no. 3 (1976): 305-314.
Plato.  The Collected Dialogues of Plato. Edited by Edith Hamilton and Huntington Cairns. New York: Bollingen Foundation, 1961.
Pole, D. L. “Varieties of Aesthetic Experience.” Philosophy 30, no. 114 (1955): 238-248.
Postrel, Virginia. The Substance of Style: How the Rise of Aesthetic Value is Remaking Commerce, Culture and Consciousness. New York: HarperCollins Publishers, 2003.
Pratt, Carroll C. “Abstract vs. Realistic Art.” The Journal of Aesthetics and Art Criticism 33, no. 4 (1975): 403-405.
Proust, Marcel. Remembrance of Things Past, translated by C.K. Moncrieff  (London: Chatto & Windus, 1928).
Quacchia, Russell. Julia Morgan, Architect and the Creation of the Asilomar Conference Grounds. Q Publishing, 2005.
Renne, Elisha P. and Dakyes S. Usman. “Bicycle Decoration and Everyday Aesthetics in Northern Nigeria.” African Arts 32, no. 2 (1999): 46-51.
Rennie, Nicholas. Review of Lutz Koepnick’s Walter Benjamin and the Aesthetics of Power in The German Quarterly 75, no. 2 (2002): 224-225.
Robinson, Jenefer. “The Expression and Arousal of Emotion in Music.” The Journal of Aesthetics and Art Criticism 52, no. 1 (1994): 13-22, 13.
Rose, Barbara. Claes Oldenburg. New York: Museum of Modern Art, 1970.
Ross, Stephanie. “Gardens, Nature, Pleasure.” In The Aesthetics of Human Environments ed. Arnold Berleant and Carlson, Allen (Peterborough: Broadview Press, 2007): 252-271.
Rostankowski, Cynthia. “The Aesthetics of Comfort in Neil Gaiman’s Coraline.” paper given at a conference Metamorphic Spaces 2008 in Children’s Literature and Culture, University of Jyväskylä, Finland, Jan. 17-19 2008. Abstract accessed June 23, 2010. https://www.jyu.fi/en/congress/metamorphoses2008/programme/abstracts/workshopabstracts
Rudrauf, Lucien. “Perfection.” The Journal of Aesthetics and Art Criticism 23, no. 1 (1964): 123-130.
Rybczynski, Witold. Home: A Short History of an Idea. New York; Viking, 1986.
Sacks, Oliver. “A Summer of Madness.” The New York Review of Books (Sept. 25, 2008): 57-61.
Saito, Yuriko. Everyday Aesthetics.  Oxford:  Oxford University Press, 2009.
____ “The Moral Dimension of Japanese Aesthetics.” The Journal of Aesthetics and Art Criticism 65, no. 1 (2007): 85-97.
____ “Everyday Aesthetics.” Philosophy and Literature 25, no. 1 (2001): 87-95.
____ “Japanese Aesthetics of Packaging.” The Journal of Aesthetics and Art Criticism  57, no. 2 (1999): 257-265.
____ “The Aesthetics of Unscenic Nature,” The Journal of Aesthetics and Art Criticism 56, no. 2, Special Issue:  Environmental Aesthetics (1998): 101-11.
____ The Japanese Aesthetics of Imperfection and Insufficiency.” The Journal of Aesthetics and Art Criticism 55, no. 4 (1997): 377-385.
____ “The Japanese Appreciation of Nature.” The British Journal of Aesthetics 25, no. 1 (1985): 238-252.
Sallis, John. Stone. Bloomington: Indiana University Press, 1994.
Sartwell, Crispin. Six Names of Beauty. New York: Routledge, 2004. 
Scharfstein, Ben-Ami. Of Birds, Beasts, and Other Artists. New York: New York University Press, 1988.
Schwartz, Meredith and Coxon, Khadija. “Gender and the Everyday Aesthetics of Food.” No date of publication. Accessed Jan. 18, 2010, http://thedepartmentofaesthetics.org/GenderandtheAestheticsofFood.pdf
Scruton, Roger.  “In Search of the Aesthetic.” British Journal of Aesthetics 47, no. 3 (2007): 232-50.
Searle, John. “How to Derive ‘Ought’ From ‘Is’,” Philosophical Review 73, no. 1 (1964): 43-58.
Sheringham, Michael. Everyday Life: Theories and Practices from Surrealism to the Present. Oxford: Oxford University Press, 2006. 
Shaw, Philip. The Sublime. London: Routledge, 2006.
Shusterman, Richard. “Definition, Dramatization, and Rasa.” The Journal of Aesthetics and Art Criticism 61, no. 3 (2003): 295-298.
____ “Interpretation, Pleasure and Value in Aesthetic Experience.” The Journal of Aesthetics and Art Criticism 56, no. 1 (1998): 51-53.
____ “The Aesthetic Challenge of Popular Art.”  British Journal of Aesthetics 21, no. 2 (1991): 203-11.
Sibley, Frank N. “Aesthetic Concepts.” In Art and Philosophy: Readings in Aesthetics, edited by W. E. Kennick. New York: St. Martin’s Press, 1979: 542-564. Originally, Philosophical Review 68 (1959): 421-450.
Sircello, Guy. “How Is a Theory of the Sublime Possible?” The Journal of Aesthetics and Art Criticism 51, no. 4 (1993): 541- 550.
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Snævarr, Stefán. “Talk to Animals: A Short Comment on Wolfgang Welsch’s ‘Animal Aesthetics.’” Contemporary Aesthetics, 2 (2004). Accessed Oct. 25, 2007, http://www.contempaesthetics.org/newvolume/pages/article.php?articleID=251
Solomon, Robert C. “On Kitsch and Sentimentality.” The Journal of Aesthetics and Art Criticism 49, no. 1 (1991): 1-14.
Sparshott, Francis. The Structure of Aesthetics. Toronto: University of Toronto Press, 1963): 72-75.
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Stolnitz, Jerome/ “On the Origins of ‘Aesthetic Disinterestedness.’” The Journal of Aesthetics and Art Criticism 20, no. 2 (1961): 131-143.
____  Aesthetics and Philosophy of Art Criticism: A Critical Introduction. Boston: Houghton Mifflin Company, 1960.
____ “The Artistic and the Aesthetic “in Interesting Times.”” The Journal of Aesthetics and Art Criticism 37, no. 4 (1979): 401-413.
Suzuki, Daisetz Teitaro. An Introduction to Zen Buddhism, edited by Ch. Humphreys.  New York: Grove Press, 1991.
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Tsubaki, Andrew T. “Zeami and the Transition of the Concept of Yugen: A Note on Japanese Aesthetics.” The Journal of Aesthetics and Art Criticism 30, no. 1 (1971): 55-67,
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Walton, Kendall. “Categories of Art.” Philosophical Review 79 (1970): 334-367.
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Welsch, Wolfgang. “Animal Aesthetics.” Contemporary Aesthetics. http://www.contempaesthetics.org/newvolume/pages/article.php?articleID=243
Weitz, Morris.  “The Role of Theory in Aesthetics,” The Journal of Aesthetics and Art Criticism 15, no. 1 (1956): 27-35.
Weitzman, Erica. “No Fun: Aporias of Pleasure in Adorno’s Aesthetic Theory,” German Quarterly 81, no. 2 (2008): 185-202.
Winner, Ellen. “How Can Chinese Children Draw so Well?” Journal of Aesthetic Education 23, no. 1, Special Issue: Arts Education in China (Spring, 1989): 41-63.
Winterbourne, A. T. “Is Oral and Olfactory Art Possible?” Journal of Aesthetic Education 15, no. 2, Special Issue: INSEA 1981 - Art, Ideology, and Aesthetic Education (1981): 95-102.
Zangwill, Nick. “Aesthetic Realism I,” in Oxford Handbook of Aesthetics, edited by Jerrold Levinson. Oxford: Oxford University Press, 2005.
____ The Metaphysics of Beauty. Ithaca: Cornell University Press, 2001. 
Ziff, Paul. “Anything Viewed.” In Aesthetics, edited by Susan L. Feagin and Patrick Maynard. Oxford:  Oxford University Press, 1997: 23-30.

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